Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Diego Velazquez
Don Diego de Corral y Arellano (df02)

ID: 22670

Diego Velazquez Don Diego de Corral y Arellano (df02)
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Diego Velazquez Don Diego de Corral y Arellano (df02)


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Infanta Margarita Teresa in a blue dress | Philip IV (detail) (df01) | Portrat des Infanten Don Fernando de Austria | The Temptation of St Thomas Aquinas (df01) | Christ in the House of Martha and Mary (detail) (df01) |
Related Artists:
Edouard Louis Dubufe
Edouard Louis Dubufe (30 April 1820 - 11 August 1883) was a French painter. He learned the art of painting from his father, Claude Marie Dubufe. Until the 1840s, he painted primarily historical and biblical scenes, then switched to portrait painting.
Master of the Louvre Nativity
active in Florence in the Second half of the fifteenth century
Samuel van hoogstraten
Dutch Baroque Era Painter, 1627-1678 Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.






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